Lovely to be back on air with Richard Watts last Thursday morning on his weekly Melbourne cultural roundup 'SmartArts' on 3RRR, 102.7 FM. I join him for the monthly 'Drawn Out' segment, on which we discuss local and international comic book news and releases.

First up this time was 'The Book of Other People' (Penguin 2008), edited by Zadie Smith - a collection of 23 stories by tippety-top writers (including Smith, Nick Hornby, Miranda July, Jonathan Safran Foer, Colm Toibin, Johnathan Lethem and Dave Eggars) - and it's a benefit book, so some of the money goes to Eggars' 826NYC which helps kids to get reading and writing. As Smith says, it's a case of 'real people making fictional people work for real people'.
Each story's title is eponymous (does that work the other way?) and I'm writing about the book here because, in the great McSweeney's tradition, there's comics in them thar words, folks: in this case 'Justin M. Damiano' by Dan 'Ghost World' Clowes and 'Jordan Wellington Lint to the Age 13' by Chris 'Jimmy Corrigan the Smartest Kid on Earth' Ware. Folks, the Clowes 4-pager alone is worth the price of admission. Although I gotta admit, I was loaned the book by my mum after she discovered the comics floating amidst her sea of text. Thanks Mary Anne! Sorry illiterate urchins of New York City!
And hey there's an exhibition of installation comics work on upstairs at Brunswick Bound, the great bookshop at 361 Sydney Road Brunswick. 'Der Stadtschaftschaubild' is a made-up German word made up by Alice Mrongovius, who has also made the works- she reckons it means something like 'the cityscape diagram'. Mrongovius is a fine artist and a comic book artist (and the one does not preclude the other, of course) and in this show, on until March 21, she is expanding the comic book form into installation art and then making a comic from that.
Occasionally, just ever so occasionally, you get something from the work Kris Kringle that you actually really like, in fact sorta blows your tiny mind, but it's gotta be said that that person who has gotten it has usually blown the cut-off point for the money that you're supposed to spend. So it was that, back in December, I received the above book. (Thanks Biana!)
Thomas Ott is Swiss and has been doing these wordless scratchboard comics, as well as caricatures for mags and newspapers over Europe way for some time. (Selected titles: 'Tales of Error', 'The number 73304-23-4153-6-96-8' oh yeah) 'Cinema Panopticum' (Fantagraphics, 2005) is a 100 page hardcover book of 4 short wordless stories framed by a narrative of a little girl going to the fun fair with too little cash. It is a quite remarkable, grostesque, hilarious book, which also performs the moebius-strip trick of actually transforming itself into one of the terrifying Cinema Panopticum machines. Incredibly satisfying.
Another comics exhibition is on in town at the moment: MP Fikaris' show 'Good Sauce' features drawings paintings and a new comic booklet from this local master of the dada/beat/art comics form. It's at Nine on Seven Artspace, Level 7 Curtain House 252 Swanston Street in the city, until February 20, open 7 days 2pm until late.
And in the spirit of last-but-worth-waiting-for:
Linda Foote is from Perth, is remarkably 24 years old and is even more remarkably, not an animator. I could have sworn when I picked up this gorgeous A5 mini at
Sticky, that she must be an animator, given the Miyazaki feel of the story but also the incredibly assured quality of the artwork. Harder still to believe, this book is a 24 hour comic (ie, produced in one straight 24-hour stint) - though Foote does let us know that the shading on the drawings came later. This book is a masterpiece of pacing, a glorious example of a comic in which nothing happens. well when I say that, of course things DO happen, it's just that the emphasis is almost totally on the relationship between the creatures (friends? brothers?) Devan and Shaya.
This book is very fine, builds a beautiful world, and leaves you with the feeling that you want to spend more time there. Congratulations to Linda on constructing such an enjoyable comics reading experience, and I look forward to reading more work by her.
Hippity Hoppity Hare admires the arrangement of all 150 squares carefully arranged by Dr Caroline.
Buongiorno gentil donzelle (e amici nostri)!
Mi scuso per non aver aggiornato il blog per un po' ma almeno ho due buone notizie da darvi.
Innanzitutto abbiamo spostato la scadenza della sfida puscia: mandateci i vostri loghi per Yatta e/o banner entro il 20 febbraio.
L'altra buona notizia è che finalmente riapriamo le iscrizioni al nostro gruppo! :)
Abbiamo già qualche candidata, ma ne aspettiamo numerose! Chi vuole unirsi a noi deve essere (ovviamente) donna, creativa e aver compiuto 14 anni. Basta mandare una mail a
pusciastova-professional@googlegroups.com presentandosi e mandandoci anche qualche lavoro da visionare e pubblicare qui sul blog quando vi presenteremo alle sorellovske :)
Ultimo appunto personale: NON mandateci per favore richieste di iscrizione tramite l'indirizzo della Mailing List: verranno cestinate senza colpo ferire. L'unico modo è mandare una email all'indirizzo qui sopra!
Grazie a tutte, e a presto!
Kat
Well, it's been a month and a half or so since the big double Tango launch, and it's time to have a bit of a look back at that night and more generally at doing two big books in the one small year.

Night of the launch, 10 December 2009, making some comment that's making Mirranda Burton wince. Probably a pun.
Photo: Peter Jetnikoff
At this point I can say that I'm very proud of both books, but I have to admit that by the time Tango9 rolled around, rose up on its haunches and became the 350 page behemoth that it is today, it had outgrown my capacity to handle, muzzle, or restrain it. The sheer volume of pages and number of contributors flipped a switch somewhere in the tiny tinny little administration centre in my noggin. Mistakes were made. (And still are: only yesterday Greg Holfeld, author of the excellent 'Homefront' (page 124), emailed to say, "Um, could I please have my contributor's copy?" Oh, gosh.)
But the most significant errors on my part were to leave out stories which I had said were in. Yes, that's right. Two stories had been selected for the book, the authors informed, and then, in the utter madness of the final book assembly, I ... misplaced them. One of these, 'Interview with the Dictator's Mother', was a collaboration between Mark Scillio and myself (yep) - I realised it was missing the night before we went to press, and couldn't at that point change things. With the other story, Justin Woolley and Brendan Hayday's 'In the Trenches', it was only on the night of the launch, that this situation was revealed. To these three gentlemen, Mark, Justin, and Brendan, I offer my sincere apologies - I am terribly sorry. What happened with your stories was really the opposite of what I set up Tango to do.
But here's the silver lining: both stories are now available to be read on the Tango9 page on the Cardigan Comics website,
here. Thanks to Justin Caleo for making this happen.

Hey look! It's dapper Neale Blanden!
Photo by Peter Jetnikoff
And thanks to brother Luke, it's now possible to buy Tango via Paypal on the website,
here. Tango9 sells there for $25 and earlier Tangos for $10, and hey, psst! If you've ever wanted to fill in a hole in your Tango shelf or even if you just have fingers that twitch for a bargain, I'd get in now and make a purchase before I work out how to add a postage amount there.
That's right Tango fans: get in quick while you can, and order your books postage-free!

Animated David Blumenstein and Jovial Jo Waite, skylarking.
Peter Jetnikoff took the picture
And hey. Let's not forget that other fine Tango of last year, 'The Tango Collection'. It has not escaped my attention that having two of us (viz: Elise Jones and I) working the editorial angle of that book meant that it worked out a lot more smoothly. And yes, you're right, it's published, marketed and distributed by Allen and Unwin, too, (all of which is magnificent) but I'm focussing on the administrative aspect here, and I'm thinking that for 'Tango10: Love and Music' (planned for 2011), I will assemble an editorial team...
ANYway, if you're a Melbournite, you should really buy The Age this Saturday (all 16 kilos of it) and open the A2 section and check out the 'Books' section: the word on da street is that there will be a review of 'The Tango Collection' there. Please, stain it with coffee and croissant crumbs, for me.
And cry huzzah!

Finally, himself. Peter Jetnikoff, I think photographed here by David Blumenstein, next to a copy of Peter's biography and his portrait from 'The Tango Collection'. The rest of the group of photos of the launch from which the ones in this post were selected can be found
here.